Connecting the dots: dismantled but not dismembered

We’re all saints and sinners. We were born saints, but inevitably become sinners throughout life. If you surfed the tide near San Onofre State Beach or San Juan Capistrano back in 2010 you surely attended the ministry at The Hotrod Church for Sinners. Brian Bent, then Initiator and Pastor of this congregation, is the inspiring… Continue reading Connecting the dots: dismantled but not dismembered

Sourcing the sound of cool: 1958-1985

Sourcing the sound of cool: 1958-1985 “Il 1959 rappresenta un punto di svolta nella storia dell’arte dei suoni.” (Enrico Merlin, 1000 dischi per un secolo) 1958 and 1959 weren’t just ordinary years; they mark a definite break, a turning point in the widespread realms of the aesthetics and the art of listening to music. Miles… Continue reading Sourcing the sound of cool: 1958-1985

Their dances, their music and their clothes: Sourcing the iconography of “heritage” in the dancehalls of the 1930’s

In this second installment on the iconography of “heritage” I’d like to address the role the music and the associated imagery, that permeated the dance halls of the European cities in the 1920is, play in contemporary revival subcultures. In opposition to last months focus on the Great Depression era, in this short writing I will… Continue reading Their dances, their music and their clothes: Sourcing the iconography of “heritage” in the dancehalls of the 1930’s

Being exposed – at PittiUomo 96

At the Pitti 96 I was a victim. At least that’s what Mr. Clements called those fortunate souls that were invited to take part in his photo session inside the ancient walls of the Fortezza da Basso in Florence. I’d like to share some hopefully useful insights in the short lifespan of a victim in… Continue reading Being exposed – at PittiUomo 96

The suit and its volumes (1/2)

“There are some people whose entire existence is a study in aesthetics. A total life/art. Hide, the patron of cafestreamline in Tokyo’s Daikan-Yama district, is such an individual.” (Nick Clements on IG feed)