It’s January, the second week of the year. At approximately 06:12 the high-speed train sets out from the medieval town in the northern part of Italy to reach Florence. The biannual pilgrimage to the places, where the heart of Italianism in language and culture beat the most, is a ritual for a rather differing crowd:… Continue reading H Hour Florence Time
Category: Singularization
Connecting the dots: dismantled but not dismembered
We’re all saints and sinners. We were born saints, but inevitably become sinners throughout life. If you surfed the tide near San Onofre State Beach or San Juan Capistrano back in 2010 you surely attended the ministry at The Hotrod Church for Sinners. Brian Bent, then Initiator and Pastor of this congregation, is the inspiring… Continue reading Connecting the dots: dismantled but not dismembered
Sourcing the sound of cool: 1958-1985
Sourcing the sound of cool: 1958-1985 “Il 1959 rappresenta un punto di svolta nella storia dell’arte dei suoni.” (Enrico Merlin, 1000 dischi per un secolo) 1958 and 1959 weren’t just ordinary years; they mark a definite break, a turning point in the widespread realms of the aesthetics and the art of listening to music. Miles… Continue reading Sourcing the sound of cool: 1958-1985
The suit and its volumes (2/2)
Paul Weller, The Sunday Times March 17, 2019: “It’s a transitional period. For a lot of men - any men that are vaguely conscious at all - they’ve had to reappraise themselves, and masculinity. [..] I think In the next five or 10 years, men will grow up differently. I hope so, anyway.” Quoting Mr.… Continue reading The suit and its volumes (2/2)
The suit and its volumes (1/2)
“There are some people whose entire existence is a study in aesthetics. A total life/art. Hide, the patron of cafestreamline in Tokyo’s Daikan-Yama district, is such an individual.” (Nick Clements on IG feed)
Images forming adult male subculture
images-forming-adult-male-subculture
There’s no headline to this short text.
There’s no headline to this short text. There’s a set of photographs instead. They aren’t completely unrelated to the text that follows, but for this platform they’re inevitably necessary. The images play a central role to the reader, to you, insofar as they maneuver attention and prepare for the extended literary narrative coming… Continue reading There’s no headline to this short text.
